I came across Yoni Lappin through the Mura Masa video, 'Move Me.' Move Me conveys a strong sense of place, urban Britain at it's best. There is a great feeling of performers coming from a whole number of different backgrounds, professionals and amateurs, and that performance is a day to day occurrence for the people involved. This connects a place and performance nicely and introduces people and artists for whom every day is art and theatre, which is why Britain (as with other mixed cultural places) produces such talent and innovation in the arts. Then looking at other video's it's clear that this mix is not just British. The world is a mix of people. The world is full of talent.
Watercolourist Kate Osborne opens up her sketchbook to show you some inventive ways to develop your ideas. But the perfect sketchbook? There are many ideas about it, but no blueprint for it and no rules about how to use it. Traditionally a sketchbook has been a place for artists to record what they see, particularly when travelling. But today there are quite a lot of rather perfect looking sketchbooks on social media, which, although decidedly gorgeous, can be quite daunting to use as your model. Sketchbooks are, inevitably, often full of “failures”, scribbles and notes made on the road to working out your ideas.
This goes with Rhirhi talking about unity below. The spirit does not care what colour you are, or what gender you are, or what religion you are. Art and performance have had an ancient connection to spirituality, with ritual playing a big part in creating unity. The Celts put precious objects in water to connect with the gods and most ancient artform has a connection to the spirit or to gods. Pat B Allen, creator of Open Studio Process, a form of art therapy talks about art as 'spritual technology.' Irving Lavin the renouned art historian says art is art history and as such is a 'natural science of the spirit.' What is interesting about this article is that this performance series has now developed a history, after, as Justin Hoover the curator observes, the energy of the performance harks back to the 60's. There is also reference to performative element in which the inclusion for performers is based on interest and not competence. This seems to be in the spirit of art as a form of personal research.
A stunning outdoor performance...
Richard Long changed my life. I was doing an urban outdoor programme in Liverpool, England, and went to see the first ever show at Tate Liverpool, called Starlit Waters - British Sculpture. An International Art 1968 - 1988. Saw Richard Long, Anish Kapoor, Alison Wilding, Hamish Fulto, Barry Flanagan, Tony Cragg, Art and Language, Ian Hamilton Filay, on and on... The man who walked into that show was a different man to the one that walked out. I did hiking for my job and here was a guy who made hiking into art. I was renderd speechless. It was the sheer physicality of it and that it was objects I would have never thought of as 'sculpture'.
Article about an old chip shop being turned into a theatre. Has lots of interesting aspects. The localness of a theatre occupying a space that would have been a well known and well used local amenity. It is also described as a 'lab' so a place where people can experiment with ideas. The arts need incubation spaces for young artists to try out their work without too much financial or cultural burdens. The creator, Julia Negus, says 'Its flexibility means it can become what you want it to be and its hire structure is priced so it’s affordable for the one-offs - the experiments, scratches and failures.'
This links to ideas by James Bridle, that we use the internet on our pc's and devices, and it inhabits 'The Cloud' and forget it is a physical thing. All our data is on a server somewhere, which means it is on a hard drive in a building owned by someone somewhere. The building will be remote from whatever location you are in, so it has to be transmitted through devices in the real physical world. This is a great bit of art as research, in terms of the photographer researching the internet as a physical, offline, entity.
Wonderful idea and execution of art as an exploration and expression of experience. The knitting tells a story, makes a record, bears witness to events, serves as a warning.
Given a pot is made on a spinning potters wheel, I can see how this idea took form. Follow the link to the original article and there is a short movie about the making of the pot. It shows how the conception and execution would require the application of maths, geometry, physics, chemistry, and imagination. I like the way the image of a bird taking flight shows how birds fly off into a headwind with their wings static and simply extended to increase lift from the tree. The tree moves like it is being buffeted by wind. It is so well observed. Also at the foot of the page are links to a lot more artworks which apply the principle of the Phonotrope and the Zeotrope.
The artist Jessica Drenk is an American artist raised in Montana, where she developed an appreciation for the natural world that remains an important inspiration to her artwork today. Tactile and textural, her sculptures highlight the chaos and beauty that can be found in simple materials. Drenk’s work is also influenced by systems of information and the impulse to develop an encyclopedic understanding of the world.