Mapping Sensation

Livingmaps Network ran an online event yesterday.

DRAWING MAPS, IMAGINED LANDSCAPES AND PANDEMIC STORYTELLING

A LIVINGMAPS WEBINAR

It looked at the impact of Covid on our lives and ways that mapping as an artistic practice could help. Quote…

‘Drawing, or perhaps more broadly speaking – mark making, is a deeply subjective tool that we can use to enter into other spaces beyond the here and now, perhaps into memories or imaginations of a possible future or as a form of visually representing emotional states.’

Lots of really good arts projects about mapping and imagination, of better futures and utopias, great and small. The idea of using mapping to express feeling and the imagination was very interesting and changed my way of thinking about mapping.

A place I visit called Walton Moss, and seek to make a subject of my art has evaded my skills for a long time. It is too big to photograph, or paint, and capture it’s magnitude. It is not particularly scenic in a classical landscape way, but is very impactful to visit. It seems to exist at two scales of sensation, the very big and the very small.

Walton Moss Sensation Map

So I did the header image as map of the sensations it evokes, show above. What was useful was the way the map, as a form that expresses a large scale object through a smaller scale object worked really well. The idea of mapping feeling freed me from being trapped with figurative depictions of a magical but enigmatic place, difficult to express figuratively.

I used charcoal crayons, felt tip pens and watercolour pencils, then scanned it.

Published by

Chris Reed

Group Worker Art Maker

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