This is from Simon Ellis’s site.
Great advice from Sally Potter, maker of Orlando with Tilda Swinton.
Great art as research on two levels, the artist and the artform. The movie explores and researches gender, time, identity, place… Also Sally tells us what she learned from her research of movie making. Both help us in our exploration and research of our own experience.
Simon also introduces us to dance and art as performance at the artistic, personal and academic levels on his excellent site.
The best time to start is now (don’t wait)
Take responsibility for everything (it saves time)
Don’t blame anyone or anything (including yourself)
Give up being a moviemaker victim (of circumstance, weather, lack of money, mean financiers, vicious critics, greedy distributors, indifferent public, etc.)
You can’t always choose what happens while you are making a film, but you can choose your point of view about what happens (creative perspective)
Mistakes are your best teacher (so welcome them)
Turn disaster to advantage (there will be many)
Only work on something you believe in (life is too short to practice insincerity)
Choose your team carefully and honour them (never speak negatively about your colleagues)
Ban the word “compromise” (or the phrase “it will do”) (the disappointment in yourself will haunt you later)
Be prepared to work harder than anyone you are employing
Be ruthless – be ready to throw away your favourite bits (you may well be attached to what is familiar rather than what is good).
Aim beyond your limits (and help others to go beyond theirs) (the thrill of the learning curve)
When in doubt, project yourself ten years into the future and look back – what will you be proud of having done? (indecision is a lack of the longer view or wider perspective)
Practice no waste – psychic ecology – prevent brain pollution (don’t add to the proliferation of junk)
Be an anorak – keep your sense of wonder and enthusiasm (cynicism will kill your joy and motivation)
Get some sleep when you can (you wont get much later)
– Sally Potter
I think I first happened across this list when the choreographer Theo Clinkard posted it on FaceBook many years ago. Simon Ellis.